Tag: Scanner Records

  • Absurd Minds – Deception

    Project Pitchfork’s latest offering is a pretty decent album
    called Deception. It sounds pretty much par for the course
    for Project Pitchfork, and fans of the band shouldn’t be let
    down. The music is pretty well written, as usual, with the
    signature sound fans of the band have come to know and
    love over the past decade or so. Peter Spilles’ vocals are a
    bit rougher on Deception than on other Project Pitchfork
    albums such as Eon:Eon or Chakra: Red!, delivered with a
    bit of an aggressive growl this time around.
    Oh, sorry, wait a second. Now that I take a closer look, I can
    see that this isn’t Project Pitchfork at all. It’s the N*Sync to
    Pitchfork’s Backstreet – Absurd Minds. Listen to this album
    and you’ll see how I could get the two confused.
    All kidding aside, Deception is a good album. Sure, it
    sounds like it was pieced together from the loose bits of
    tape lying around on Peter Spilles’ studio cutting room floor,
    but it’s pieced together very well and is an enjoyable album
    all around. – chris parasyte

    Discogs

    Scanner Records

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  • Absurd Minds – Damn the Lie

    The second verse the same as the first – Absurd Minds
    return with their second full-length CD of Project Pitchfork
    influenced EBM. It’s a good thing Deception was a really
    good CD, because Damn The Lie shows little evidence of
    artistic growth in terms of song writing, composition or
    thematic. The songs on Damn The lie are well produced,
    and well written, but they really just stay the course as laid
    out on the previous CD.
    While it is an enjoyable album to listen to, it really doesn’t
    break any new ground. It’s good, but not great. If Absurd
    Minds can just break out of this trying to sound “More
    Pitchfork Than Pitchfork” mentality they seem to be set
    into, and work towards a more unique sound of their own,
    they could be one of the groups to watch in the next few
    years. – chris parasyte