My first introduction to Fracture was their single Terror Eyes
featured on Off Seat’s [CLASS IX] compilation. Now, Terror
Eyes took me somewhat by surprise. The track takes about
half the song to build up to full momentum and new and
modified layers are constantly being initiated. My surprise?
It worked beautifully. Despite its sluggishly progressive
timeline, there is nothing sluggish about the material and its
toothiness remains a constant throughout.
So, on to hazarding the originating album. Killernet does not
seem to disappoint. It is a curiously diverse album in that
Fracture did not attempt to duplicate the sound of Terror
Eyes in any other track. I could rant for hours regarding the
hideous redundancy that occurs in so many projects –
sometimes it works, sometimes not. The absence of
redundancy in this project, however, has proven to be a
brilliant stroke. The unvarying quality throughout is welcome
as a constant and I am pleased to find that each track did
offer a comparable level of sophistication and layered
exploration.
Let me explain a little by what I mean when I refer to this
album as being ‘diverse’. Fortunately enough, the vocals
(male) also go in stride with each track’s mood – usually
under a consistent distortion: not too hot, not too cold – just
right.
Soak this album up. Their only other release, Hell is a real
pain to get a hold of. Hell is actually a concoction derived
from Killernet so don’t be too disappointed if it is nowhere to
be found. As for new upcoming material, who knows. But if
this is the only real album Fracture releases, better leave it
at that rather than with a follow up that may never exceed
the expectations put fourth by Killernet – Sarah Cassady
Tag: Pendragon Records
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Fracture – Killernet