Tag: Nuclear Blast Records

  • Tapping the Vein – Interview

    Interview with Heather, Eric, Joe, and Mark of . . .
    Tapping the Vein

    Interview By: Azriel J. Knight

    Azriel: Okay lets start with something that has been bugging me, what is the story behind the band name?

    Eric: I have always been a Clive Barker fan. I was working with someone who was a very big comic book fan and he asked me if I had ever seen the series “Tapping the Vein”. It is a series that Clive Barker presented in order to showcase the talents of new comic book artists. Before I even saw the series, I thought it was great name and it represents what we “try” to do.

    Azriel: How old were you when you discovered you had singing talent?

    Heather: Well, I had a solo in the 9th grade and that went pretty well. Another day, I was leaning my ear up against my speaker and singing along to something. My brother was walking by and knocked on my door to tell me it sounded good. Considering we were teenagers, close in age and barely speaking to each other, I took it as a huge compliment.

    Azriel: My friend October was the one who introduced my to your band, maybe as a payback to her I can get you to say a little something for her?

    Heather: Hi, October! Thank you so much for telling Azriel about us. I really appreciate that. And I LOVE your name. Great month, too…

    Azriel: The design on your website is amazing , did you have any say in how it would look?

    Heather: We had a lot to say about what we wanted but the design and basic concept was done by our friends at Bowhaus design. ( www.bowhausdesign.com ). Eric had them check out a couple of sites that he had seen and liked. We had a few meetings to discuss what they wanted to do and what we were looking for. After the initial layout, I started to get involved as far as what “wasn’t” working as far as we were concerned. Just little things here and there. Colors, easier navigation, photos, back ground. So, I guess the answer is “yes”, we had a lot to say about the final result. It was stressful getting it exactly the way we wanted before it went live but I e-mailed back and forth with them until everything was right. I think that they really did an excellent job. We will be making some changes soon once the full length is finished.

    Azriel: What are your future touring plans? Canada? Europe? The Moon?? 🙂

    Heather: Hmmm, Well, we get this question a lot from people that write to us. When I write back I tell them the truth. That we hope to be out this year. I don’t know where we will go or how far but we have a lot more resources than this time last year. We will have distribution and tour support through the label. It is an absolute priority as far as we, and probably any band, are concerned. The biggest problem, of course, is the money. But we’ll find a way.

    Azriel: How do you see the band progressing in future albums?

    Eric: I don’t know how I see it progressing right now. I can’t even tell you because it is a natural progression. We always just write what we feel. I experiment with new sounds all of the time. It’s not like we will put out a jazz album or anything but as long as we grow as writers that’s all I really care about.

    Mark: As we’ve matured as a band we have become more compatible as writers. We know each other’s personal writing style. In that way, I guess we will continue to progress. We also learn more and more each time we record. We always end up saying “well, that’s pretty good but next time…”

    Azriel: How do fans react to your live shows?

    Mark: The fans are very attentive and extremely appreciative. There never seems to be anyone standing around talking. All eyes are on us. That just makes the performance all the more enjoyable for us.

    Joe: Yes, we get an excellent response. Never bad. The people are always willing to come up before and after the shows to talk with us and tell us how much they enjoy seeing us play. They say that the shows keep getting better and better.

    Azriel: What is YOUR favourite band and why?

    Eric: There are so many… Depeche Mode, NIN, Tool. The reason is the same for all three. Brilliant song writing and a high level of creativity.

    Mark: I really don’t have a favorite band but right now I really like A Perfect Circle, Rammstein and Tool.

    Heather: I’m not really a “favorite band” kind of person. I kind of just obsess on songs for awhile then move on. But right now I LOVE Linkin Park. My friend, Dana, and I put on the album and sing, play air guitar and basically just jump around like idiots while we get ready to go out.

    Joe: I think my favorite band is The Cure because of the dynamics that they put into their music and moods that creates.

    Azriel: When people ask you what you do for a living, how do you respond?


    Heather: Well, I usually say “I’m a singer but I have a day job.”


    Eric: I tell them my day job because that is what I do “for a living”.


    Mark: I tell them I’m a student.

    Joe: I say that I am a prosthetic technician. Then I have to explain that it means I make artificial limbs. I once had given a friend about 10 “used” limbs which she passed on to Marilyn Manson. They turned up in a magazine spread with him.

    Azriel: What sort of tips would you give someone starting their own band?

    Heather: Do what YOU feel not what you think everybody wants to hear.

    Azriel: If I have missed anything please take the time now to let me and everyone reading this know about it

    Heather: I think you covered just about everything. Can I have some plugs? I guess I can plug the web site www.tappingthevein.com and plug the upcoming full length with Nuclear Blast. We are in the finishing stages.

    Azriel: Thanks very much for the interview, I wish you all the best

    Heather: thanks, a lot. We really appreciate your support and the exposure. Bye Bye for now!

    Originally Published March 2001

  • Theatre of Tragedy Interview

    Interview with Hein Frode Hansen of Theatre of Tragedy: 2001

    By Azriel J. Knight

    In promotion of their new album, Musique

    Azriel: I noticed your album is already being spread around the Napster universe, how do you feel about that??

    Hein: The new one really? I only found some odd tracks. I have nothing against Napster for exploring and checking out new releases and new bands, but to download a whole album and burn it or spread it further on the net is plain unnecessary. in order to make good music and do great live shows the underground artists need the fee earnings they get. Without it they cannot make music that the listener want and hence the listener fools themselves…. but if Metallica loses a few cents I don’t care.

    Azriel: Nicely said. I’ll admit I have pretty much all the tracks from the new one, but I live in North America, and when it finally comes out here, I’ll have a copy. So explain to me (and I know you have probably been asked a million times) why the change?

    Hein: Bands change. It’s a fact of life and we as people had to reinvent our own concept in order to survive as a band. So it would be Musique or no Theatre of Tragedy whatsoever. Without change and progress society would be quite boring in my opinion. No mobiles, no Internet, no CD’s, no nothing. And to combine organic sounds with electronics felt natural for us as we listen to such different kinds of stuff.

    Azriel: I have listened to the album carefully, and find that it still does hold the ToT flavour, and I was expecting to be disappointed, but I am impressed. Tell me about the Image video

    Hein: Thanks for still being able to hear what we tried to accomplish. Reinventing the ToT sound in a 2000 kind of way. Escape our own limitations created by us. Image video is a sexy dirty, rocky and posing video. Liv as the clean and angelic front singer, and the models and the male band members as fucked up dirty and kinky. Real MTV kinda groove but in a much dirtier and sexier way. If people wanna see it, it is on streaming on www.nuclearblast.de and on our www.theatreoftragedy.com

    Azriel: Yeah, I really like that video, Liv is looking good these days. Who’s idea was it for that type of feel for the video??

    Hein: Well we got a bunch of concepts from different directors and we liked the simplicity of this one. NO typical Goth or metal video. Only a kick ass rock and roll one.

    Azriel: What would you say you miss the most, if anything about the old look/sound of ToT?

    Hein: Our old bass player Eirik. He left last year. He was tired of being in a band and wanted a regular job. He was really funny and like the clown in the band. Apart from that I look to the future and try and focus on that. I regret nothing, but progress is a good thing.

    Azriel: I noticed when looking through your tour dates, you haven’t been out here in North America, has ToT ever considered the possibility?

    Hein: Well there is some serious talk right now to do some US shows in December this year around X-mas and between X-mas and New Years Eve. So far no date are confirmed, but as soon as we have them they will be posted on our homepage. Sign up for our update mail and you will get notified.

    Azriel: I noticed you guys have a link to a Yahoo! Club, do you visit the site often?

    Hein: we have a link to a Yahoo! Club??????? I don’t even know what it is……..

    Azriel: LOL, the link is on your web page.:) The Musique album has a general theme, defiantly technology, and I am feeling hints of 80’s techno, but I could be just a dumb shit on that, tell me more on what the album represents

    Hein: The album has really nothing to do with techno, but rather takes a look on the impact and effect technology and machinery has played on mankind over the last centuries. For good and worse. Does mankind control technology or do technology control mankind? The lyrics, music, cover, homepage and band photos are each a part in a bigger scheme. The red line between the different elements.

    Azriel: Can you elaborate on that a little . . . or a lot 🙂

    Hein: Well I thought I just did:-) Well the thing about mankind being closer to machine/robot something’s in the higher pace of society. Routines are taking over our lives, due to technology. On the other hand it offers new ways of communication as phones, internet, planes, etc. which brings the world and people closer together. As well as making fascinating sounds/noises/feedback and fucked up stuff for our music. It has negative effect as well as positive effect on mankind in my opinion. Like the equilibrium of the year 2000.

    Interview Originally Published in October 2000

  • Tapping the Vein – Undone

    Release Date: 2000
    Genre: Goth Rock
    Similar Artist(s): Garbage, Stabbing Westward
    Members: Heather Thompson, Eric Fisher, Joe Rolland, Mark Burkett
    Instruments Used: Female Vocals, Guitar, Bass, Drums, Synthesizer

    Horror Online Magazine stated Vocalist Heather Thompson combines the intensity of The Sugarcubes, Bjork with the discipline of The Cocteau Twins’ Elizabeth Frazier. Thompson’s voice also has a quality which neither Bjork nor Frazier can claim: the capacity to fly from one emotional and auricular extreme to another in one second flat – believably and without strain.

    I couldn’t have put it better myself. Tapping the Vein’s “Undone” combines a near perfect mixture of the classic euphony, basic instruments (guitar, bass, drums) with just the right dosage of programming and sampling from Drummer Eric Fisher who was also the man who decided to come up with the band name “Tapping the Vein” because of his appreciation for Clive Barker.

    This 6 song EP is more than enough to attract to attention. A hard rock feel that has also attracted some attention to the goth scene for it’s tragic theme. Each song has it’s own creative life to it, with a song like crushing, it begins with an acoustic guitar and her voice, it seems to come from a distant radio, and suddenly the static and distance clears and the other instruments kick in with a pinch of Spanish flavor which may have been done on purpose, no idea, but great none the less. The album starts off with some synth guitar sounding deal that is difficult to describe and almost immediately after the drums come into play but this “sound” always remains and it sticks in your head. Song after song, a steady beat with a catchy chorus.

    This is Tapping the vein’s second EP release and a full length album under the Nuclear Blast record label on the way, this alone is indication enough of the talent of the band. Being under the same label as bands like Theatre of Tragedy, Dimmu Borgir, and Children of Bodom should give them the recognition they need and deserve – Azriel J. Knight

    Review Originally Published in 2001